Sentience versus Programming -- The Masterpiece

Sentience versus Programming -- The Masterpiece

Mathematically, it is impossible to write a computer program that can become sentient—say some data scientists. The proof relies on a reductionist argument showing the progression of simple algorithms to ones as complex as Google’s LaMDA artificial intelligence (AI) program, and how they’re not structurally or mathematically different. Yet, sentience exists, at least if you believe humans are sentient. So, is it possible to create artificial sentience, or are applications such as fully self-driving cars a fool’s errand?

The iBrain Syndicate War, a science fiction novel

It's December 2019 and time to start a new novel. I'm three pages into The iBrain War, which is a science fiction novel, set in near future Los Angeles and other parts of the world, and is about The iBrain War, which dwarfs WW1 and WW2 in scale. I plan to complete The iBrain War by late summer 2020 and target it for 110,000 words.

Follow blog posts for writing samples from The iBrain War.

The philosophy of carving

The banner image is the Face of Ningishzida. It’s condor agate from Argentina and I carved it using a suite of diamond wheels. Agate is a particularly hard rock to carve, and this one took many, many hours. Condor agate is a beautiful, multi-level rock, and I loved the look of this one as I carved each of its many surfaces. However, it was nothing special until…damn! For some reason, I rotated it between the two major surfaces, and the FACE appeared.

It is an ugly face. Pure evil. Immediately, I knew it to be the face of Ningishzida, who is sometimes argued as the basis for our legends of Satan. Ningishzida is the ultimate villain in my God Wars novels, first appearing in Abbot’s Race. Funny how putting a face to a name makes things more real.

Carving is like writing. I think I know what I’m getting into, but then the medium takes over and amazes me with the result. Whether it’s mesquite from New Mexico, obsidian from Oregon, myrtle from Tasmania, or agate from Argentina, each requires specialized carving skill. Mesquite is especially difficult to carve because the grain often comes together from opposite directions to meet in a singularity—nasty problem. But, when you’re working with the world’s most beautiful wood (IMHO), you put up with a little pain.

Writing, too, often puts you in tight spots. If you can work your way out, the result can be amazing and satisfying.

The Face of Ningishzida

The Face of Ningishzida